Featured Work

Bright Wall/Dark Room • 20th January 2021

Warring Bodies: On 'Beanpole' and 'Swallow'

The Indian Quarterly • 28th July 2024

Out of Focus: The Parsi's Bombay and the Parsi in Bombay Cinema

The Bangalore Review • 14th August 2020

Of Mothers and Daughters: Pedro Almodóvar’s Julieta and Three Alice Munro Short Stories

MUBI • 28th July 2024

Tragic Spaces: The Later Films of Guru Dutt

Bright Wall/Dark Room • 9th February 2023

Games Women Must Play: Jafar Panahi’s 'Offside'

MUBI • 28th July 2024

Close-Up on Johnnie To's "Vengeance"

Critical Collective • 28th July 2024

Cigarettes, Scarves and Morality: Dev Anand's Early Crime Films

MUBI • 28th July 2024

Fish-Men and Lonely Islands: The Films of Shirley Barrett

ASAP | art • 14th October 2024

Art in Delay, Hesitation as Film: Maisam Ali’s In Retreat

Offscreen • 28th July 2024

Matthias et Maxime

Helter Skelter Magazine • 30th January 2021

Is Love Enough? Sir

Helter Skelter Magazine • 2nd June 2020

A More Permanent Record: Gamak Ghar Review

The Hindu • 21st July 2017

Love in the time of SRK: An Interview with Shah Rukh Khan

Senses of Cinema • 28th July 2024

Genre, Women and the Romantic Comedy: An Interview with Elizabeth Sankey

ASAP | art • 28th July 2024

Myth-Making in the Streets: Garuda Gamana Vrishabha Vahana with Raj B. Shetty

Sunday Mid-Day • 28th July 2024

36 Memory Lane: A Conversation with Aparna Sen and Suman Ghosh

Sunday Mid-Day • 28th July 2024

Off stage

Sunday Mid-Day • 28th July 2024

Around the World, once again, with Tony

Sunday Mid-Day • 28th July 2024

The billion-dollar club

Sunday Mid-Day • 28th July 2024

In India, again

Sunday Mid-Day • 28th July 2024

When fair is foul

Sunday Mid-Day • 28th July 2024

The problem with renovation

Sunday Mid-Day • 28th July 2024

Take a big bite

Sunday Mid-Day • 28th July 2024

Staying in good spirits

Sunday Mid-Day • 28th July 2024

Ray, beyond the films

Sunday Mid-Day • 28th July 2024

Love bite

Sunday Mid-Day • 28th July 2024

Are NFTs art’s new frontier?